PATREONItems tagged with Haptics
The Leap Motion controller has nothing on this thing; Haptix is a project that, simply put, is designed to turn any surface into a multitouch surface. (Get it? Haptics.) Ostensibly, this allows for input in more ways, and it opens up more possibilities for user customization. The Haptix team sees the device as combining the traditional mouse/keyboard input method with touch and getting the best of both worlds. The device itself is a small, silver bar that clips onto or rests on just about anything. It “reads” your finger movements and inputs accordingly. It can be used for everything from computers to tablets to TVs. Even more impressive is that it can be used for 3D multitouch, so...
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Haptics is one of the next big advances for touchscreen technology, and while there are always new ideas for tactile technology coming down the pike, the field is still wide open to innovation. NEC and the Tokyo Institute of Technology partnered up on an interesting concept that utilizes directional force to shift the whole touchscreen to give the user some tactile feedback. It’s actually sort of a primitive idea in some ways; there are four wires, each attached to a corner of the screen and operated by tiny motors, and they respond to input gathered by optical sensors in the bezel. What this technology does is provide a directional sensation, and because the tensile strength of the wires...
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Not counting tasting popcorn or soda or whatever yummy morsels you might have snuck into a movie theater, the only human senses that are typically engaged in "watching" a movie are seeing and hearing--someone sitting behind you, kicking your seat, doesn't count, as that is not part of the "film's world" (or diegesis as film scholars like to call it). Not that some innovators haven't tried to engage the sense of smell for movies, such as the short-lived Smell-O-Vision or John Waters' tongue-in-cheek, Odorama. But what about the sense of touch? What if someone kicking your seat or a similar sensation was actually part of the film's world and the intended viewer's experience?That's that question...
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